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http://en.wikipedia.org/wiki/Zeitgeist,_the_MovieFrom: STALKER2002
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MessageZeitgeist, the Movie
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This article is about the 2007 documentary. For other uses, see Zeitgeist (disambiguation).
The neutrality of this article is disputed. Please see the discussion on the talk page. Please do not remove this message until the dispute is resolved. (March 2009)
Zeitgeist, the Movie
Directed by Peter Joseph
Produced by Peter Joseph[1]
Written by Peter Joseph
Music by Peter Joseph
Editing by Peter Joseph
Distributed by GMP LLC[2]
Release date(s) 2007
Running time 122 min
Language English (Available in 23 subtitles)
Followed by Zeitgeist: Addendum
Zeitgeist, the Movie is a 2007 documentary film about alleged "social myths," including religion, 9/11 and the banking system.
A sequel, Zeitgeist: Addendum, advocates a new technology-based social system influenced by the ideas of Jacque Fresco and The Venus Project.[3]
Contents [hide]
1 Release
2 Synopsis
2.1 Part I
2.2 Part II
2.3 Part III
3 Sequel I: Zeitgeist: Addendum
4 Awards
5 Responses
6 Soundtrack
7 See also
8 References
9 External links
[edit] Release
Zeitgeist, the Movie was officially released online on June 18, 2007[4] on zeitgeistmovie.com. However, a beta version had already been available on Google video since June 6.[5] For a time, it reached the top of the chart of "most viewed" videos available through Google video.[6] The video has since been translated into 24 languages.[7]
[edit] Synopsis
The film opens with a collection of visual art, film footage and audio quotes. It starts with a speech by Chögyam Trungpa Rinpoché about spirituality, followed by a series of musically synchronized clips of war and explosions culminating with the September 11 attacks. This is followed by another sequence of clips, this time showing war casualties. The film's title screen is displayed, and Jordan Maxwell's Inner World of the Occult is quoted, which criticizes religious institutions, governments, and banking cartels who are alleged to "have misled [the people] away from the true and divine presence in the universe." The film's intro ends with a portion of a George Carlin monologue on religion and an accompanying animated cartoon.
[edit] Part I
Horus left and Jesus right, both presented in the film as "solar messiahs"Part One, entitled "The Greatest Story Ever Sold" questions religions as original god-given stories, arguing the Christian religion specifically is mainly derived from other religions, astronomical facts, astrological myths and traditions; in turn derived from or sharing elements with other ones. In furtherance of the Jesus myth hypothesis, this part argues that the historical Jesus is a literary and astrological hybrid, nurtured politically in the interest of control.
This section was based on the work of many scholars, ranging from Egyptologist Gerald Massey, to Joseph Campbell to D.M Murdock (Acharya S)[8] who has published a companion guide.[9]
Horus, the Egyptian Sun God, is introduced as having a number of attributes similar to many other religious deities which came after him, including but not limited to Attis, Krishna, Dionysus, Mithra and Jesus Christ; these attributes alleged to include the virgin birth on December 25, 12 disciples, burial for 3 days, resurrection, and performing of miracles.[10]
The film offers explanations for some of these common attributes. To explain the origin of the alleged December 25 birth, the film points out that the Winter solstice has the shortest day, and therefore, the shortest amount of sunlight, of the year, and that about three days after it, sunlight time could be seen growing, thus marking the birth of a "God of light" or Sun God. Another Christian-astrological similarity, according to the film, is that the three stars in Orion's belt (called the "Three Kings") align with Sirius on December 25, the brightest star in the sky, and point to the Sun's rise on the horizon. This is equated to the Nativity of Jesus, where, according to the film, three "kings" follow the star in the east to locate the birth of Jesus. Furthermore, around December 25, Sun rises in the vicinity of Virgo, the constellation known as Virgin, which refers to the origin of Jesus' virgin birth. Comparison of sunset in the vicinity of Crux and Jesus' death on the cross is based on similar principle. In addition, parallels as walking on water (reflection at dawn/dusk) and turning water into wine (ripening of grapes) are shown as metaphoric miracles, explained as the influence of the Sun.
Christianity is then said to be a Gnostic myth, historized by the Roman Empire for social control of Europe through doctrines established at the First Council of Nicea. The Dark Ages, the Inquisitions and the Crusades are given as events which maintained Europe's submission to The Vatican through Christianity. The following is said in conclusion: "Christianity, along with all other theistic belief systems [...] empowers those who know the truth, but use the myth to manipulate and control societies. [...] It reduces human responsibility to the effect that "God" controls everything, and in turn awful crimes can be justified in the name of Divine Pursuit. [...] The religious myth is the most powerful device ever created, and serves as the psychological soil upon which other myths can flourish."
[edit] Part II
The 9/11 attacks are the subject of part II of the film.Part II, entitled "All the World's a Stage," uses integral footage of several 9/11 conspiracy theory films like Loose Change to portray the September 11 attacks as either orchestrated or allowed to happen by elements within the United States government in order to generate mass fear, initiate and justify the War on Terror, provide a pretext for the curtailment of civil liberties, and produce economic gain. These claims include that the U.S. government had advance knowledge about the attacks, the response of the military deliberately let the planes reach their targets, and the World Trade Center buildings 1, 2, and 7 underwent a controlled demolition. The film claims that six of the named hijackers are still alive, that Hani Hanjour could not have flown Flight 77 into the Pentagon, that no substantial plane wreckage was found at two of the three crash sites, that the Bush administration covered up the truth in the 9/11 Commission Report, and that the mainstream media have failed to ask important questions about the official account.
However, in a March 17, 2009 article, the New York Times, after noting that the first Zeitgeist film "may be most famous for alleging that the attacks of Sept. 11 were an 'inside job' perpetrated by a power-hungry government on its witless population," goes on to say that this is a point of view that Mr. Joseph said he has recently "moved away from." [11] Peter Joseph later clarified this statement as a "misquote" on his Movement's website Forum and continues his support for a new 911 investigation.[12]
[edit] Part III
The United States Government's income tax is claimed to be unconstitutional.Part III, entitled Don't Mind the Men Behind the Curtain, argues that three wars of the United States during the twentieth century were waged purely for economic gain by what the film refers to as "international bankers". The film alleges that certain events were engineered or were allowed to happen as excuses to enter into war include the sinking of the RMS Lusitania (a factor in the U.S. decision to enter World War I two years later), the Attack on Pearl Harbor (which was the opening attack of the Japanese on the U.S. in World War II), and the Gulf of Tonkin Incident (which led to the escalation of the Vietnam War).
According to the film, the U.S. was forced by the Federal Reserve Bank to become embroiled in these wars, not to win but to sustain conflict, as it forces the U.S. government to borrow money from the bank, allegedly increasing the profits of the international bankers. The film gives a history of the Federal Reserve, claiming it engineered the Great Depression to steal wealth from the American population and was responsible for the assassination of Louis McFadden, a congressman who attempted to impeach the Federal Reserve Board. The film then goes on to claim that the Federal Income Tax is illegal.
This section also claims the existence of a secret agreement to merge the United States, Canada and Mexico into a "North American Union" and to replace the Canadian dollar, United States dollar, and the Mexican peso by a new currency, called the "amero". The creation of this North American Union is then alleged to be a step towards the creation of a "One World Government", which would be formed by the merging of the North American Union, the European Union, the African Union and a hypothetical Asian Union. The film speculates that under such a government, every human could be implanted with an RFID chip that would be used to monitor individuals and suppress dissent. The film ends with several quotes from Carl Sagan, Bill Hicks and several others.
[edit] Sequel I: Zeitgeist: Addendum
Zeitgeist Addendum
Directed by Peter Joseph
Produced by Peter Joseph[1]
Written by Peter Joseph
Music by Peter Joseph
Editing by Peter Joseph
Distributed by GMP LLC[2]
Release date(s) 2008
Running time 123 min
Language English (Available in 23 subtitles)
Preceded by Zeitgeist, The Movie
Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival in Los Angeles, California on October 2, 2008, winning their highest award. It was released free online on October 4, 2008.[13] Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It addresses the true source of the instability in our society, while offering the only fundamental, long-term solution."[14]
Part I follows on from Part III from the original film, citing the specific process of fractional-reserve banking as detailed in Modern Money Mechanics, released by the Federal Reserve Bank of Chicago. In detailing the process of money creation, the film suggests society is manipulated into economic slavery through debt-based monetary policies by requiring individuals to submit for employment in order to pay off their debt.
Part II is a documentary-style interview with The New York Times best-selling author and activist John Perkins based on his book, Confessions of an Economic Hit Man, in which he describes his role as a self-described economic hit man. In that capacity, he claims to have helped the CIA, as well as various corporate and political entities, to undermine or corrupt foreign regimes that put the interests of their populations before those of transnational corporations. Perkins denies the existence of a conspiracy, because he sees the U.S. as a corporatocracy, in which there is no need for a plot, as politicians like Dick Cheney (who first served as the head of a construction company Halliburton and afterwards became Vice President) are alleged of working under the same primary assumption as corporations: that maximisation of profits is first priority, regardless of any social or environmental cost.
Part III is a documentary-style interview with futurist Jacque Fresco. The film looks at Fresco's proposal of a "resource-based economy", which he claims would create abundance, is environmentally friendly and sustainable. He goes on to discuss technology which he sees as the primary driver of human advancement and he blames politics as being unable to solve any problems, because of what he claims is lack of "technical capabilities". Fresco claims that his approach is not perfect, but that "it's just much better than what we have. We can never achieve perfection".
Part IV of the film suggests that the primary reason for what it sees as society's social values ("warfare, corruption, oppressive laws, social stratification, irrelevant superstitions, environmental destruction, and a despotic, socially indifferent, profit oriented, ruling class") is a collective ignorance of "the emergent and symbiotic aspects of natural law." The film suggests several actions for "social change", which include: boycotting banks who are claimed to make up the Federal Reserve System, such as JPMorgan Chase and Citibank, turning off TV news, not joining a military, refusing energy from energy companies in favour of making homes self-sustainable with clean energy and rejecting the political structure. The film closes by asking everyone to "eliminate the divisionary, materialistic noise, we have been conditioned to think is true ... while discovering, amplifying and aligning with the signal coming from our true, empirical oneness."
[edit] Awards
A remastered version of the film was screened on November 10, 2007 at the Egyptian Theater in Hollywood as part of a film festival held there (the 4th Annual "Artivist Film Festival") where it won the "Best Feature" award in the "Artivist Spirit" category for feature-length documentaries.[15] [16] In 2008, "Zeitgeist Addendum", the sequel, received the same award.[14]
[edit] Responses
This article contains too many quotations for an encyclopedic entry. Please help improve the article by removing excessive quotations or transferring them to Wikiquote. Help is available. (May 2009)
An RFC about the rewrite of this section is currently taking place on the talk page. Before engaging in any deep change, please discuss this issue and wait for a consensus to emerge.
References to Zeitgeist in the mainstream media are relatively few and the mostly negative:
On April 30, 2009, Rhonda Swan of Palm Beach Post[17]
Who can argue with such a movement? What we have never has worked for the benefit of society as a whole. How much longer can we really expect it to last? Isn't keeping our current system and expecting something different from what it's always given us insanity?
On March 17, 2009, Alan Feuer of The New York Times[11], reporting on a gathering of Zeitgeist fans contrasted the two movies saying that
"The former may be most famous for alleging that the attacks of Sept. 11 were an “inside job” perpetrated by a power-hungry government on its witless population, a point of view that Mr. Joseph said he has recently “moved away from.” Indeed, the second film, the focus of the event, was all but empty of such conspiratorial notions, directing its rhetoric and high production values toward posing a replacement for the evils of the banking system and a perilous economy of scarcity and debt."
The same article summarized the Venus Project of Zeitgeist II as
"a futuristic society where (adjust your seatbelts, now) machines would control government and industry and safeguard the planet’s fragile resources by means of an artificially intelligent “earthwide autonomic sensor system” — a super-brain of sorts connected to, yes, all human knowledge. If this sounds vaguely like a disaster scenario out of 2001: A Space Odyssey, Mr. Fresco did not seem worried in the least. Machines are unemotional and unaggressive, unlike human beings, he told the crowd during the question-and-answer phase. “If you took your laptop and smashed it in front of 50 other laptops, trust me, none of them would care.” "
An article in the Irish Times,[18] said that
"These are surreal perversions of genuine issues and debates, and they tarnish all criticism of faith, the Bush administration and globalization - there are more than enough factual injustices in this world to be going around without having to invent fictional ones. One really wishes Zeitgeist was a masterful pastiche of 21st-century paranoia, a hilarious mockumentary to rival Spinal Tap. But it's just deluded, disingenuous and manipulative nonsense. [...] If you pretend to know only truth, in truth you know only pretence."
An article in the weekly Seattle paper The Stranger,[19], later reprinted in the Utne Reader magazine,[20] said:
"It's fiction, couched in a few facts [...] and it adds up to the worst kind of fear-mongering."
It also commented on the irony in the film's three-part structure by noting that
"It's fascinating, this structure. First the film destroys the idea of God, and then, through the lens of 9/11, it introduces a sort of new Bizarro God. Instead of an omnipotent, omniscient being who loves you and has inspired a variety of organized religions, there is an omnipotent, omniscient organization of ruthless beings who hate you and want to take your rights away, if not throw you in a work camp forever."
The February 25, 2009 edition of eSkeptic,[21] the online newsletter of The Skeptics Society, criticizes the first part of the film (the one on Christianity) by saying:
"Perhaps the worst aspect of [...] Part I of Peter Joseph’s Internet film, Zeitgeist, is that some of what it asserts is true. Unfortunately, this material is liberally — and sloppily — mixed with material that is only partially true and much that is plainly and simply bogus. [...] Zeitgeist is The Da Vinci Code on steroids."
CBC Radio[22] Host Jesse Brown broadcast an audio essay on the movie summarizing the movie with:
"It's the same old paranoid jazz, but Zeitgeist, The Movie weaves it all together really skilfully."
The Globe and Mail[23] has also published a critical article about the movie, titled "Rejecting Conspiracy Thinking Keeps it Alive and Well," in which it is said that
""[...] this stuff [...] it's all been thoroughly debunked for years. Evidently, debunking isn't the issue. [...] Nor can you cite the findings of the professional, journalistic, and academic consensus to someone who's decided that having credibility means being under the sway of shadowy forces. [...]for all the talk of skepticism, conspiracy counterculture is really an anti-intellectual, populist movement - much like Intelligent Design. For all their absurdity, conspiracy theorists try to drag everything back to the level of common sense. [...] Did the collapsing buildings on 9/11 look like they were being demolished? Then they must have been demolished. Did the 757 that hit the Pentagon's blast-proof walls fail to make a plane-shaped hole? Then it must have been something else. Are there unexplained quirks in the official story? Then it must be the work of a higher power. [...] Conspiracy theorists want to see [...] a malevolent design behind events. The notion that calamity might be the unintended consequence of subtler causes doesn't hold the same appeal. Evil, whatever its other uses, drives a great narrative. Complexity, not so much."
The Village Voice[24] mentioned Zeitgeist in passing in a review of the 2008 fiction film Able Danger in which the film critic sees an
"invocation of September 11 for the vaguely satirical purpose of tweaking conspiracy crap like that found in Zeitgeist: The Movie (an Internet film that, like Krik's recent "Be Kanye" ads, went mega-viral last year)"
[edit] Soundtrack
The musical score for both Zeitgeist, The Movie and Zeitgeist Addendum was composed and performed by Peter Joseph, the film's director.[25]
[edit] See also
The Zeitgeist Movement
Bible conspiracy theory
Jesus Christ in comparative mythology
9/11 conspiracy theories
[edit] References
^ a b "IMDb Profile". Imdb.com. February 18, 2008. http://www.imdb.com/title/tt1166827/. Retrieved on March 15, 2009.
^ a b "IMDB company credits". Imdb.com. http://www.imdb.com/title/tt1166827/companycredits. Retrieved on March 15, 2009.
^ http://www.zeitgeistmovie.com/statement.htm
^ http://www.opednews.com/articles/Zeitgeist-Addendum-Steps-by-Rady-Ananda-081012-334.html
^ http://video.google.com/videoplay?docid=928518742089256264
^ Google video rankings for February 2008[dead link]
^ http://www.zeitgeistmovie.com/subs2.htm
^ http://www.zeitgeistmovie.com/sources.htm
^ The Companion Guide to ZEITGEIST, Part 1
^ http://www.zeitgeistmovie.com/transcript.htm
^ a b Alan Feuer (March 17, 2009). "They’ve Seen the Future and Dislike the Present". The New York Times. http://www.nytimes.com/2009/03/17/nyregion/17zeitgeist.html. Retrieved on March 17, 2009.
^ http://www.thezeitgeistmovement.com/joomla/index.php?option=com_kunena&Itemid=1905&func=view&catid=229&id=85094
^ The Wall Street Journal Digital Network's Market Watch[dead link], Press release.
^ a b Artivist Film Festival website
^ "4th Annual Artivist Film Festival and Artivist Awards Announce the Winning Films of This Year's Festival". Artivist Film Festival and Artivist Award press release. November 5, 2007. http://www.marketwire.com/mw/release.do?id=788818. Retrieved on February 10, 2009.
^ "4th Annual Artivist Film Festival & Artivist Awards: "Merging Art & Activism"". Artivist Film Festival and Artivist Awards press release. October 31, 2007. http://newsblaze.com/story/20071031143153tsop.np/topstory.html. Retrieved on February 10, 2009.
^ wrote: Rhonda Swan (April 30, 2009). "COLUMN: A dream worth having". Palm Beach Post. http://www.palmbeachpost.com/opinion/content/opinion/epaper/2009/04/30/swancol_0501.html#. Retrieved on May 04, 2009.
^ http://www.irishtimes.com/newspaper/weekend/2007/0825/1187332519087.html
^ Paul Constant (September 5, 2007). "Beauty Is Truth". The Stranger. http://www.thestranger.com/seattle/Content?oid=309650. Retrieved on February 10, 2009.
^ Constant, Paul. (January 1, 2008) Utne Reader Towers of Babble.
^ http://www.skeptic.com/eskeptic/09-02-25.html
^ Jesse's Essay - Zeitgeist: The Movie on CBC Radio One'
^ http://www.theglobeandmail.com/servlet/story/RTGAM.20070816.wweb17/BNStory/Technology
^ Orange, Michelle. (September 10, 2008) The Village Voice Able Danger
^ http://www.zeitgeistmovie.com/sources.htm
[edit] External links
Zeitgeist - The Movie Official website
Zeitgeist: The Movie at the Internet Movie Database
Zeitgeist, The Movie - Remastered / Final Edition at Google Video
Zeitgeist: Addendum at Google Video
Zeitgeist: Addendum at the Internet Movie Database
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